The Janet Lawson Quintet - The Janet Lawson Quintet (1980)
The record's really great all the way through – with piano modally grooving along with Janet's vocals – sax and flute twisting into the mix, inflecting the lyrics with just the right hint of jazzy riffing. Titles include the airy "Sunday Afternoon", "So High", "Nothing Like You", "You Promised", and a great reading of Chick Corea's "Shazam".
Don't miss this one guys!
Enjoy it!
Greg
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Burton Inc. - L.A. Will Make You Pay $$$ (1977)
Tracks include the eponymous track, the moving 'Groovin' At The Nightclub', the snapping number 'Who You Gonna Get' and the mighty 'See What You Made Me Do'.
Enjoy it!
Greg
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Eddie Gale - Black Rhythm Happening (1969)
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Greg
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Cesar Mariano & CIA - Sao Paulo, Brasil (1977)
Electric keyboards mix with acoustic bass and piano – for a groove that's both funky, but also touched with strong elements of Brazilian jazz. Includes the cool funky track "Metropole", the break cut "Fabrica", and the mellow groover "Imigrantes" – as well as the tunes "Metro", "Litoral", and the uniquely growing number "Futebol De Bar".
Enjoy it!
Greg
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Sylvia Striplin - Give Me Your Love (1981)
The record's got arrangements by Sylvia, Roy, and James Bedford (who also recorded for Uno Melodic), and it includes classics like "Give Me Your Love", "You Can't Turn Me Away", "Look Towards The Sky", "All Alone", and a great cover of Roy Ayers' "Searchin".
Enjoy it!
Greg
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Charles Sherell - For Sweet People From Sweet Charles (1974)
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Greg
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Gary Bartz NTU Troop - Uhuru (1971)
Enjoy it!
And Merry Christmas to you all!
Greg
Manzel - Midnight Theme (1977)
The set was recently put together by Manzel in collaboration with Kenny Dope, and many of the tracks feature new mixes by Kenny & The Undercover Brother – done in such a way that really respects the original grooves of the tunes, and which only sweetens them a bit in the right places, or brings out the funky drums even more. Every cut is a stone monster – and the quality of the set is amazing – with obscure cuts that sound every bit as wonderful as the more famous sample tracks like "Space Funk" or "Midnight Theme". Titles include "Jump Street", "Sugar Dreams", "Long Way Home", "Just For You", "It's Over Now", "The Party", "Vera Cruz", "Space Funk", "Midnight Theme", and "Evil Wicked Mean & Nasty".
Enjoy it!
Greg
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Fathers' Children - Father's Children (1979)
It is most remembered by groovers worlwide for the rare groove anthem 'You Can Get It' and the mellower 'Hollywood Dreaming', but it also includes other tasty nuggets such as 'Dance To It' or 'Shine On'.
Enjoy it!
Greg
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Raices - Raices (1975)
Includes the self-explicit 'Bluegarian Funk Dance', the great 'Lenguas', 'Bamboo' and the soulful 'Parallax'.
Enjoy it!
Greg
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Johnny Robinson - Memphis High (1970)
What a cover, too!
Enjoy it!
Greg
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Linda Williams - City Living (1979)
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Greg
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Brother Jack McDuff and David Newman - Double Barrelled Soul (1968)
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Greg
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Don Thompson - Fanny Brown (1977)
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Greg
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Lee Fields - Let's Talk It Over (1977)
Includes the titles 'Let's Dance', 'Mighty Mighty Love', and the 2-parts number 'Everybody Gonna Give Their Thing Away'.
Enjoy it!
Greg
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Mandrake Som - O...,Amigo (1977)
All in all it is a real groovy gem that deserves to be better known, and it includes great covers of 'Mulher Rendeira' or the timeless 'Dindi', plus original compositions such as the title track, 'Estrada do Sol' or 'Disparada'.
Enjoy it!
Greg
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Azar Lawrence - People Moving (1976)
The whole thing's got a great Fantasy Records funk groove – and includes many nice titles like "Theme For A New Day", "Kickin Back", "Canticle For The Universe", "Gratitude" and a great take on Scarborough's "Can't Hide Love".
Enjoy it!
Greg
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Vince Andrews - Love Oh Love (1982)
The leader and writer of most of the tunes is saxophonist Vince Andrews, who plays with ease and is heard in fine form on 'The One Who Needs You' or 'Vibrating with Vince'.
Enjoy it!
Greg
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Rhythm Machine - Rhythm Machine (1976)
The collective writing and arrangements have a great mid-70s feel, with lots of space, and a great warm sound that's a perfect balance between fully organic sound and the right bits of electric keyboards in the mix.
Includes 'You Got Action, You Got Me", 'Everybody's Chippin' and the great longer piece 'Thought My Love Was Fine'.
Enjoy it!
Greg
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Joe Bataan - Afrofilipino (1975)
Bataan's first album on the newly-formed Salsoul label (a phrase he was instrumental in coining), this record contains a healthy dose of organ/keyboard- filled latin funk, with a rather unique sound. The hit single back in the days was his great pre-disco cover of Gil Scott-Heron 'The Bottle' (re-titled 'La Botella'), while the title track, 'Women Don't Want To Love Me' and the epic 2-part song 'What Good Is A Castle' are all high points of the genre.
Enjoy it!
Greg
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Tyrone Thomas & The Whole Darn Family - Has Arrived (1976)
The tunes here range from driving soul sounds as in "You Know That You Lied" to more complex numbers like "Fly Away Love Bird," which exhibits Joel Smither's lovely flute. The oft-sampled, seven-minute instrumental "Seven Minutes of Funk" is funk-fused with jazz elements, accented by Steve Carey's synthesizer, Woody Hughes' emphatic bass playing, Tommy Bryant and Kenny Mimms' sweet guitar licks, and Thomas' steady drumming. A funky "Ain't Nothing to Do," unleashes a rock guitar punctuated by O. T. Young's conga beats and keyboardist Clinton Smith's solid playing, while the teary "I'm Hurt" has a strong Al Green/Otis Redding vibe.
Enjoy it!
Greg
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Frank Strazzeri - After The Rain (1977)
Frank's working here on moog and electric piano – in a group that includes Sam Most on tenor, Bobby Shew on trumpet, and Don Alias on percussion – grooving with Frank in a gently funky way that's got a heck of a lot of soul, and which makes for some nice extended tunes with an amazing sonic architecture. Titles include "After The Rain", "Rush Hour", "Philadelphia Flyer", the splendid "Cloudburst", and "The Third Eye".
Enjoy it!
Greg
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Kellee Patterson - Kellee (1977)
Includes a sublime breakbeat version of "I'm Gonna Love You Just a Little More Baby" – with killer drums, and an excellent monologue at the beginning – plus a great cover of Grover Washington's "Mister Magic", with some interesting vocals. Other titles include "Time To Space", "What You Don't Know", and "I Love Music". Gene Russell handled production and arrangements, too!
Enjoy it!
Greg
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Viva Brasil - Viva Brasil (1980)
There's a full album's worth of great cuts here, all with the cool breezy west coast Brazilian feel that was the group's trademark style, including the massive club track "Skindo-Le-Le".
Whilst partly electric, the core sound is like a floating acoustic one with jazzy influences, often with Ruben Moura's vocals to the fore. Joe Henderson guest stars on the track "Iemanja", and the LP includes the tracks "O Bode", Jocafi's evergreen "Voce Abusou", Bosco and Blanc's brilliant "Ronco Da Cuica" and "Menina Danada".
Enjoy it!
Greg
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Stone Alliance - Stone Alliance (1976)
The first album by Stone Alliance, in their most famous line-up, the one that featured the great saxophonist Steve Grossman alongside historic members Don Alias and Gene Perla; and it's a treasure of quite adventurous yet surprisingly accessible music.
The unusual trio setting makes for an innovative use of the instruments, and bold compositions by the group, mixing hard funky jazz, latin and afro elements, with a minimal sense of the groove that transcends musical barriers.
The record also includes a killer version of a Stevie Wonder-penned favorite, 'Creepin', that is well worth a listen.
Enjoy it!
Greg
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Chocolate Milk - Chocolate Milk (1976)
The second album of hard funky soul by this great New Orleans band – and it's one of their best! The record's got great production by Allen Toussaint and Marshall Sehorn, and a nice rolling funk groove that never lets up.
Loads of great deep funky cuts, including "Never Ever Do Without You", "Running Away", "Pluck It", and the slowjam 'How About Love'. One of their two truly great LPs!
Enjoy it!
Greg
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West Coast Revival - West Coast Revival (1973)
Let me make up for that (too) long absence with a rare gem of an album, the self-titled effort from Cali-based 'West Coast Revival'. Not much is known about this great vocal trio apart from the musical legacy they carved on this LP, a blend of fantastic vocal harmonies and raw, sunshine-drenched soul, sometimes not unlike their Chicago contemporaries Rasputin's Stash.
The arrangements are especially worth a close listen with a very strong interplay between the singers themselves, and the band. Includes the indie soul masterpiece 'My Mind Is At Ease', plus 'Feelin' Alright' and 'Familiar Places'. A killer!
As usual, the link is in the comments...
Enjoy it!
Greg
William Bowers - Soundtrack #2
William Bowers works primarily in synthesizer, tape, piano, and musique concrete to form a very desolate, cold ambiance. Drawing heavy influence from composers such as Basinski, David Lynch, Philip Glass, and Silas Ciarán, Bowers focuses on mood and atmosphere versus technical composition.
Already Dead Tapes, from their catalog that I've heard so far, has been squeezing out awesome experimental noise/rock/whathaveyou, but being relatively new, I'm getting excited to see what else they'll have to offer in the future. You can listen and download it from here:
Streets of Rage - EDQ
All the songs are real short and energetic, with subject matter ranging from blowing a chance with a cute girl to looking to the future, and other Milo-esque rants. When I hear music like this, I just can't help thinking back to a time of my life where every weekend was an adventure, a road trip, and an excuse to abuse our freedom as minors (cuz we're all 18 eventually).
1. No Ablo
2. I'm Gone
3. EDQ
4. AOEII
5. Dunno Yet, Maybe
6. Smmer
7. Nu Jazz
bbigpigg - Phantom Photography EP
"in my dreams i use my arms and legs again like i used to live. i remember when pissy sheets was the worst of my problems. then i lost control of my limbs"
bbigpigg seems to go for the more danceable approach in their realm of sound while still upholding the standard abrasiveness that you might come to expect from self-proclaimed noise-rockers. I feel as though the album goes on for way longer than its just-short-of-16-minutes existence, making for a nice lengthy groove to move to. They had a very nice press kit, too... Check out thar EP for free download folks, you can get it here!
Divorce Party - Astrocongertion Oporium
I'm actually glad that I waited, in one way at least, for this group of Michigan-ites pull together even better recordings than on the last one. Taking dancey rock forms and blending it with hard electronics and synth sounds, the songs chirp and bend jaggedly, more spasm than song at times.
Every song feels like it's trying to rip itself apart. Evey claustrophobic note takes you further into their racing rhythm, leaving very little room to breathe. And to top it off, the entire EP is only about 10 minutes long. Having never seen these guys live, I can only imagine, but I feel like their live performance might be on par with a Red Bull-induced heart attack. Wicked awesome, dood! (and other Boston-bro terminology).
Check them out if you're into the likes of DD/MM/YYYY and Gay Beast, but also if pulling into new areas of sound happens to be your thing. You know what? Just give 'em a listen and like it.
Genie Brown - A Woman Alone (1973)
A wonderful independent 1970s female soul album by the little-known Genie Brown, whose bold portrait on the cover might be considered a somewhat truthful echo of the determined tone of her singing.
Like many such productions the theme is true and respectful love, honest relationships, and here the raspy voice of Genie is acutely backed up by great musicianship. The sound is full, rich but raw, orchestrated with nice brass and guitar and just a touch of strings —which caught the ear of New York DJ extraordinaire Nicky Siano who made her track 'Can't Stop Talking' a staple of his legendary club The Gallery.
The album also includes the tracks 'You and Me', 'My First Night Alone Without You' and 'Let Me Stand in Your Shadow'.
Enjoy it!
Greg
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Both Worlds - Don'tcha Hide It (1974)
Tripped out fusiony funk – with lots of great solo work! These guys have kind of a jazz rock approach (hence the "both worlds" name) – one that makes for some tight bass and drum work, lots of choppy guitar, and spacey keyboards interlaced with some funkier horn solos.
The production is raw, which gives the record much more of an edge than you'd expect from a group like this; and even the sweeter vocal numbers come off with an strong indie feeling. Includes the massive horn-heavy jazz dance tune "Coming On Strong", plus the cuts "Solide", "Don'tcha Hide It", "Stop Turn Around", "Leavin Them Days", "It's Love", and a fantastic cover of "Freedom Jazz Dance".
Enjoy it!
Greg
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Tony Aiken & Future 2000 - Unity Sing It Shout It (1976)
A mindblower! Tony Aiken & Future 2000 were an obscure mid 70s group from New York -- all players skilled in the burgeoning club scene of the time, but who also had their roots in Caribbean music -- coming together for this unique record in a festive blend of early disco and funky styles!
The record's got a great home-grown feel -- a warm ensemble effort that's got equal parts soul and groove -- and which bubbles over with personal touches that really make the tracks stand out from the pack. Quoting the liner notes 'Unity speaks for itself in a world that's slowly pulling apart we all need to stop and think 'Unity' not just for one but for everyone 'Unity''. Includes the side-long jammer "Unity Sing It Shout It", plus the funky disco classic "Better Days", the soulful cuts "She Loves Me", "Good Things", and the great instrumental "Time Tunnel".
Enjoy it!
Greg
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Melvyn Price - Rhythm and Blues (1974)
A lost bit of 70s soul jazz and global funk percussion from conguero & trombonist Melvyn Price – an incredible set of heavily rhythmic grooves recorded in Stockholm in 1974 – originally a private press effort, rediscovered a few years back by Wax Poetics Records!
Melvyn grew up outside of Detroit, and he cut his teeth with the freeform Afrikan Folk Ensemble before relocating to Sweden in the 60s, where he thrived in the country's healthy and creative jazz scene. He's joined by a great group of international players who bring diverse flavors to the overall sound, with Latin and African styles of percussion from Price, Jon Dill and Luis Agudo, drums by Gunnar Nyberg and Fredrik Noren, piano by Bjorn Wolff, fluidly jazzy tenor sax from Ed Epstein, and bass by Guy Roellinger, whose work here often sounds like the stuff of funky 70s soundtracks. The rhythms are absolutely impeccable – with the conga and percussion as the driving force of the sound! Titles include "Voodoo Love Dance", "Toward Brazil", "Behind Kungstradgarden", "Happiness Is. . .", "Five O'Clock Traffic" and "Last Train".
Enjoy it!
Greg
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Sheila Landis and Her Bandits of Bebop -Guess I'll Call It Love (1981)
A great session of groovy jazz vocals, with a light breezy finish by Sheila Landis and her band! The set was recorded in Michigan – but it's got a flowing groove that feels like the best of the San Francisco scene at the time, lightly dancing vocals with a hip edge, in the mode that Mark Murphy was using a lot at the time. The group is tight in a small combo mode – with a mixture of acoustic piano and Fender Rhodes, plus just the right amount of guitar and saxes to give the tunes a bit of flourish.
The album's filled with great original tunes – including "Love Robs Your Reason", "Where You Gonna Put Your Blues?", "There's Never Enough There For Me", "Lonely Wine", and "Guess I'll Call It Love" – plus the wonderful groover "Parenthe-Seizure", which you'll recognize from its appearance on a few compilations here and there.
Enjoy it!
Greg
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Pucho & the Latin Soul Brothers - Jungle Fire! (1969)
One of my favorite albums by this funky Latin combo! The record differs from some of their earlier Prestige albums in that the tracks are longer, more instrumental, and have a hard fuzzy electric groove. The band jams hard in a way that's more like some of the funk combos of the early 70s, than the Latin groups from which they came — and the results of this mix are wonderful!
Includes two funky numbers written by Sonny Phillips – "The Spokerman" and "Jamilah" – plus a great extended cover of "Cloud Nine", and the amazing break cut "Got Myself A Good Man". Great horn work from the funky Pazant Brothers, plus Seldon Powell, who also plays flute and tenor on the album – and other jazz funk stars on the album include Bernard Purdie, Billy Butler, and Neal Creque, Pucho's right hand man!
Enjoy it!
Greg
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Pucho & The Latin Soul Brothers - Heat! (1968)
Yet another title with an exclamation mark, and one of Pucho's greatest albums ever! This one really gets all the elements right – from Latin jazz, to boogaloo soul, to some of that funkiness that was creeping into the group's work at the time.
The fantastic Pazant Brothers (Eddie & Al) are on sax and trumpet (respectively), and the set also features some vocals by Jackie Soul on a few cuts. Includes some great Latin Jazz tracks like "Heat!" and the amazing "Psychedelic Pucho" (with an organ hook that won't let go), plus other great Latin soul cuts, like "Payin' Dues" and "Let Love Find You". Neal Creque's on piano, and the whole thing kicks booty!
Enjoy it!
Greg
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Eero Koivistoinen Music Society - Wahoo! (1972)
Funky funky Finland! Don't be put off by the long name, or the overuse of vowels in the title – because this album's a killer batch of funky jazz, filled with loads of choppy sax riffs, sweet Fender Rhodes licks, and plenty of heavy drums. The record's got a hard fusion groove – and all the tracks are long instrumentals served up with plenty of power, and plenty of ferocity!
The set was recorded in Finland in 1972, but it feels more like some killer studio jam from the west coast – played by by a very tight bunch of funky jazz musicians who weren't afraid to go over the top. Titles include "Hot C", "7 Up", "6 Down", "Suite 19", and "Wahoo!".
Enjoy it!
Greg
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Leny Andrade - Estamos Ai (1965)
Beautiful bossa – and one of Leny Andrade's best albums! The record was recorded way back in 1965, when Leny was starting her career, years before she went onto become one of Brazil's most famous jazz singers. She's working here with Deodato, who did a beautiful set of jazzy arrangements that work perfectly with Leny's rich voice – warm and airy, with a sweetly skipping quality throughout!
The whole thing's really jazzy and wonderful – without any of the heavier styles of Leny's later work – and titles include "Tema Feliz", "Samba De Rei", "A Resposta", "Banzo", "Cliché", "Samba Em Paris", and "Coisa Nuvem".
Enjoy it!
Greg
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Young-Holt Unlimited - Young-Holt Unlimited Plays Superfly (1973)
Fantastic stuff as Young and Holt lay down a monster set of grooves from Curtis Mayfield's Superfly soundtrack (all the good ones – like "Freddie's Dead", "Give Me Your Love", "Pusher Man", and "Superfly"). They also get into some funky tracks of their own (like "Hey Pancho" and "Mystical Man"), and do a super-dope cover of "People Make the World Go Round".
The album's nice and stripped down – perhaps closest to their Oh Girl LP on Atlantic in feel, with loads of cool electric piano by Ken Chaney, laid out over the group's harder funky grooves. An essential bit of early G-funk!
Enjoy it!
Greg
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Evelyn 'Champagne' King - Smooth Talk (1977)
Wonderfully smooth soul from Evelyn Champagne King – one of her real standouts from the early days, before her disco fame, and a tremendous collaboration with producer/arranger T Life! The sound here is upbeat and catchy, but never too poppy – done with a hint of that groove that King would hit more famously in the 80s, but served up here with a deeper sense of warmth, and a slightly more laidback feel.
King is classy without being cloying – just like a sip of the right sort of champagne – and T Life's backings often have a slight undercurrent of funk. Titles include the club classic "Shame" – but the best numbers for me are the slower, more soulful "Smooth Talk", "Til I Come Off The Road", "Nobody Knows", "We're Going To A Party", and "The Show Is Over". My personal favorite though would be the album version of her disco hit 'I Don't Know If It's Right', a heartbreaking rendering of a wonderful song that would unfortunately be speeded up and remixed for dancefloor purposes in its more famous incarnation.
Enjoy it!
Greg
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Moacir Santos - Saudade (1974)
Some sunny sounds for these dreary winter days with this killer album of brazilian jazz-funk! This is one of the rare Blue Note gems from Brazilian arranger/composer Moacir Santos – an album of incredible warmth and charm, with a sound that's hardly been duplicated again!
Santos is usually best known for his early bossa arrangements in the 60s, but here he's working in the US – hitting a sweet LA groove that mixes his earlier Brazilian styles with breezy touches from 70s jazz – done in a great mix of acoustic and electric instrumentation that sparkles tremendously throughout! The rhythms alone are worth the price of admission – complicated, compelling, but always grooving straight ahead – far different than both the usual sound of Brazilian jazz and Blue Note at the time, and a unique hybrid that's certainly one of Santos' finest moments on record. A few tracks feature vocals as well, done in a nicely reserved mode that fits in perfectly with the instrumentation of the tunes – and titles include a wonderful version of the song "Kathy", recorded previously as an instrumental by Horace Silver – plus "Off & On", "Amphibious", "Early Morning Love", "Suk Cha", "The City Of LA", and "Haply-Happy".
Enjoy it!
Greg
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Forget the Times - Escape from the Planet of Llamas
Escape from the Planet of Llamas was released on cassette by Already Dead, a recently new tape and vinyl label also based out of Kalamazoo, MI, co-run by Sean Hartman of this very band. The first two songs, 'Early Morning Rabbit Hole' and 'Ponchos and Python Boots,' fully let the listener know what they're in for; the tight spasms of three layered guitars and a lone drummer, all attacking each other for control over the bystanders' ears. This in turn moved onto the epic 12 minute jam, 'Beau Soleil Moon Frye,' and the most frantic song on the album, 'Flying V Gtr Made Of Real Live Honking Geese.' Every now and then you can catch a glimpse of some of their influences, namely U.S. Maple or Captain Beefheart for the off-kilter songs and harmony. A great part of me hears some Gorge Trio thrown in there, with the improv jams of a constructed nature.
The album plays out like a post-apocalyptic landscape, constantly mutating and adapting itself to destroy us. But the beauty is, you can listen to the entire thing on their bandcamp, RIGHT NOW! And you can download it for $1, or for free in the link below. Or get a hard copy through the mail from Already Dead Tapes, go to their website for more info. Keep an eye out for these guys, they'll be on tour, you can see their schedule on their bandcamp.
Moisture Throne - DEEP
Here is one great little album/song from the two Cruiser pals, but what a huge difference. Encompassing everything epic, tropical, progressive and amazing, this roughly 25 minute track will make your ears spin. However, the only thing that this group has in common with Cruiser is the drummer, whereas the guitarist has moved over to play bass. They are joined by two friends, one joining in on guitar, the other sporting a shiny new keyboard, and all joining in on vocals.
I vote this, on a scale from 1 to 10, a "Super Whoa."